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If the articles in this 30th Anniversary Issue teach you anything, it should be that skateboarding has evolved leaps and bounds over the past three decades. It should also make clear that key individuals—pioneers—served as central catalysts to these massive advances. Ray Barbee’s addition to the Bones Brigade in ’87 and subsequent appearances in Powell Peralta’s Public Domain (’88) then Ban This (’89) represent some of the most critical junctures in our short history. On the heels of Steve Steadham, Ray cracked the façade of what had been more or less up to then a white-bred pastime. He also showcased some of the first conscious line-based flatground street skating ever. And unlike the neon glam beach volleyball styles of the ‘80s vert scene, Ray’s casual attire and cruising lines through LA sprawl set the table for city kids of all stripes and colors to make skateboarding theirs in the two decades and change since.   

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Entries in Skaters and Drugs (8)

Thursday
Feb062014

Skaters and Drugs Outtakes: Steve Berra

Still a number of people to come from this with raw text. Here's everything Steve Berra had to say about it back in '03. Like Dyrdek, Steve has always had strong opinions (to say the least) and has never been afraid to voice them. I remember him being particularly passionate about this topic. Photo from The End. —ME

STEVE BERRA:

“Drugs are such a dissociation from what really is going on. It’s a disconnect with the real world. There’s such a social veneer on the planet right now anyways, that it doesn’t need to get any worse. Its like, ‘Hey, everything’s great,’ Meanwhile, we have a president that wants to go to war with Iraq and ignore the rest of the world. There are just so many things that are fundamentally wrong going on right now. I mean it’s already bad enough, we just don’t need something to dissociate us even further.”

“They come up with any other reason they can to smoke weed. You know, it’s part of one of the most insidious declines of our civilization. All these people are like, ‘Oh, it’s got nothing to do with me man, I just buy a little bit of weed.’ Well that weed comes from somewhere. People lie for drugs. People kill for drugs. Drugs are a huge, huge business, and they are built on the further degradation of people. Drugs aren’t designed to give someone a mellow high. Drug dealers are the lowest people on the planet. They enable someone else’s downward spiral. Everybody’s complaining about how the planet needs to change, but these guys want sit back and smoke a joint. I just have a little higher aspirations then that.”

“I looked up to this popular skater back in St. Louis when I was growing up, Warren Stevens. He was like a couple years older then me. I remember, it was right at the time when my other friends were starting to drink. One day I just asked him like, ‘Hey, you don’t drink?’ And he said, ‘No, I skateboard.’”

“I don’t agree with anybody doing drugs at all. Even drinking excessively to me is just wrong. I mean what is the one contributing factor to every skateboard premiere that ever got fucked up, closed down, or turned into a fight. The main contributing factor is alcohol. Take away the alcohol and those guys aren’t going to act that way.”

“We don’t need to further promote the dumbing down of our youth. Look, kids have a hard enough time dealing with the pressures of drugs and the angst of youth as it is. All that stuff is already out there. Its not like they’re going to discover it in a skateboard magazine, but we don’t need to contribute to it as pro skaters.”

“People can argue whoever the best skateboarder in the world is, but there is no doubt in my mind that Eric Koston is and always will be the best skateboarder that has ever lived. Everything he’s ever done, he’s done completely sober. There are specific other guys that I know that go out and do coke, smoke weed, or whatever—anything to disassociate themselves from the consequences, and then its easy for them to do what they’re doing, because they're totally out of their minds. Eric has to sit and see both sides of the spectrum because he’s dead sober. He has to overcome the knowledge that he could break his face. The same can be said about Jamie Thomas. They’re not some morons doing coke before they skate.”

“If I did drink, which I don’t, I would never show me drinking anywhere in a magazine or in a video. And I certainly wouldn’t talk about it. I mean everybody’s got a rough story, especially guys who skate, but I just don’t agree with promoting the further degradation of our society. I keep thinking everybody’s going to grow out of it. But then I go on some business trip to Italy or somewhere, and I see these 30-40 year old guys doing what I thought only teenagers did.”

“The reason why we have this image is because that image is promoted. Drug use exists in every other facet. I mean I stayed at Yale for four months. There were students at Yale smoking crack every night. I mean being truthful about it is one thing, but glorifying it is another. When you’ve got ‘Legalize Skateboarding’ made out into a pot leaf, you’re not really talking about skateboarding. Companies like Shorty’s, Hollywood, or Baker, I don’t respect those companies as much as I respect somebody like Jamie Thomas. I don’t think anything good comes from the things they promote. Even Birdhouse, look at what they’ve done since the departure of me and Heath. I mean talk about embarrassing—Tony Hawk, the all American boy is at the forefront of promoting 15-year-old kids drinking beers with their face at the crotch of a stripper. That’s terrible. I’m not saying that those kids aren’t going to drink. But, it’s a terrible ploy to try and sell boards. It's like you have two choices. You can either not take a stance like, ‘Well, it’s got nothing to do with me’, or you can take a stand against this. I mean have you ever seen a drug addict. It’s disgusting—somebody shitting on themselves from withdrawal. That’s not skateboarding.”



Berra's part from Birdhouse, The End ('98). Possibly also a commentary on drug use.

 

Wednesday
Jan152014

Skaters and Drugs Outtakes: Rob Dyrdek

Another collection of B-Side quotes from this. In fairness, I should mention that Rob took issue with some of this text when it went to print in '03. Also, keep in mind that many of his views may have changed further in the eleven years of "moguling" since. Regardless, Rob always voices strong opinions and I've always admired him for that. Photo: O'Meally —ME

ROB DYRDEK:

“The fact of the matter is that all pro skateboarders are somewhat psycho. Very rarely do you find a skateboarder that comes from some solid foundation. You go against everything to be a skateboarder. When you choose to commit your life to it, you’re pretty fucked to begin with. It’s the ideal types that tend to be drawn to drugs, people with destructive personalities."

“You have this ‘I don’t give a fuck’ mentality. You get a little older, and usually you’ll ease out of it. But If you can’t ease out of it, it takes you down. I can count so many of the skaters I’ve seen fall. I’ve seen weed sink skate careers. I’ve seen liquor destroy skate careers. I saw the toll it took on my skate career. It’s the innate destructive impulse that is embedded in anyone that chooses to dedicate their lives to skateboarding.”

"There’s way more normal kids in there today then there was when all of us guys came up. When I fuckin’ turned pro it was for nothing. I wasn’t turning pro with some big check in the mail. I was giving up everything. I was like, ‘Fuck it. This is what I’m doing. But I’m not getting enough money to live.’”

“The Piss Drunks brought this chaos and partying to the kids. I mean, they’re not the only dudes in skateboarding that ever partied. But it was the first time in a while that anybody went that heavily with it.”

“This is the 100% dead truth—I am a natural born partier. But I go on vicious sober streaks. In my older years, I’m not really into drugs. It’s too destructive. But I went through that period to rid my body of it. I would party every single night if I could. It’s just embedded in me. The party demon is always just beneath the surface. Every now and then rears its ugly head and is just buggin’. Sometimes it’s a wonderful experience. Sometimes it’s embarrassing.”

“Sure, someone like Andrew Reynolds is pretty fucking influential. But at the same time, look at the amateur kids they brought up. Those kids didn’t grow up wasted. No one influenced me to party. I just found it. Kids are gonna do what they’re gonna do. It’s just a matter of personal circumstances how deep you go with it. Some people take it to another level.”

“It’s a part of skateboarding as far as I’m concerned. It’s another thing that makes skateboarding better than everything else. We don’t have no fucking drug testing policies. There’s no one that's going to fine us or suspend us from riding our skateboards for doing whatever we choose to do. You don’t have to get up everyday and do something. It’s on you. If you want to go on a cocaine bender for two months, fine. Then you go on a sober streak for two months and kill it. The only thing that matters is that you hold it down on your skateboard to the best that you can.”

“It’s just a part of skateboarding and always will be. Just like when Jay Adams was around. It’s no different. There’s always going to be your straightedge dudes that hate it. There’s going to be your middle ground guys that dabble and stay in control. Then there’s going to be your full fucking psychos.”

 

The DC Video part from that same year with the skit that started it all.

 

Tuesday
Nov192013

Skaters and Drugs Outtakes: Eric Dressen & Tony Alva

Been a minute, but here are some more raw quotes from Skaters and Drugs. Short and sweet, this is what Eric had to say on the topic back in '02. I was a huge Dressen fan as a kid and was lucky enough to get to skate with him during the '90s West LA Hot Rod crew days and call him a friend today. I still don't think Eric gets enough credit for being as influential style-wise as he should. Easily one of the top 10 most influential styles ever in my book. Photos: Thatcher/Brittain —ME

ERIC DRESSEN:

“They should have been called ‘Drugtown and the Z-boys.’ All those dudes were all on drugs. Every guy I grew up with around there that was a pro skater was on drugs. It was everywhere. You’d eventually retire and then just get more fucked up. I saw it happen to every dude and it happened to me. I was terrible.”

"Just from the ‘70s, everybody did drugs. It was like the tail end of the hippie movement. Nobody thought drugs were bad back then. And then you basically become a rock star, and its sex, drugs, and rock n’ roll. It all goes hand in hand."

"Christian (Hosoi) and I would go smoke a joint in the parking lot before all our runs. I never skated a contest where I wasn’t stoned. I remember being at the Munster Championship Contest in ’90 and Colby Carter and I were smoking before the heats or whatever and I kept winning all the qualifiers. Right before the finals I didn’t go smoke and I ended up getting second. Colby was joking around saying I would have won if I smoked more weed. He was probably right."

"Jeff Phillips won the Vision Psycho Skate contest on acid. It was like full strobe lights, 3D projection screens, the Red Hot Chili Peppers playing on the platform, and there’s Jeff skating amazing on acid."

"The new kids are headed for it. I don’t think they’ll be able to handle their drugs as good as we did."

 

Eric's part in Speed Freaks ('89).

 

Since Eric's was short and he mentioned Dogtown I figured I'd post Alva's full collection of quotes to corroborate Dressen’s story. The name for this site actually came out of the following TA text. At the time he said something like, “Deadhead hippie Rasta dude” and I remember thinking Dead Hippie would be a cool name for something. Also bare in mind this text is over 10 years old. I know for a fact that TA no longer smokes weed today just for the record. Photos: Friedman/Stecyk

 

TONY ALVA:

“We were like 70s, dude. So we were like acid, coke, Quaaludes, taking crazy pills like reds with a malt liquor. I think at times drugs enhanced the whole thing. Like back in the early punk rock days, it just made it way more intense. I mean when you’re that age, and especially back then, you could kind of get away with stuff like that. I mean that whole decade was a trip. But, if your taking acid for 20-30 years, dude, your brain is going to start morphing. If you have some weird shit going on, or you’re a little wishy-washy in the head, it can fuck you up big time.”

“A lot of people consider marijuana a drug and I disagree with that. There is a huge segment of the skateboarding population that use marijuana as an herb to better their lives and get in tune with their environment both physically and mentally. Once we erase the stigma that weed is a drug, skaters will no longer be labeled as druggies. By en large, the skateboarders out there are not using drugs like cocaine, heroin, and speed. That’s only in the extreme situations like with Jay Adams or Hosoi. Those are serious street drugs that will take you down no matter how baddass you think you are.”

“To them, stoners will forever be that unmotivated Spicolli type fuck up. They listen to somebody talk about the positive effects of marijuana and they automatically tune it out, ‘Oh, Alva’s talking bullshit. Alva just needs a crutch. He’s a Deadhead hippy Rasta guy. He’d have been better without it.’ They teach drug addicts to call it ‘marijuana maintenance’. But I’ll keep saying it. If you’re a spiritual person, marijuana can be extremely positive.”

“I just hope that people educate themselves and learn more about it. Legalization of marijuana has been a long overdue thing in the world. I get hassled so hard any time I go through customs because I have dreads and there’s a stigma to that.”

“The label is wrong regardless. As you find out when you really look at skateboarding, there are dudes completely on the other side who are completely straight edge. And they have to deal with the druggie stigma all the time. The key is to let everyone do their thing. Skateboarding is all about, ‘to each his own’. Fuck what anyone else thinks about us.

“To teenagers, drugs seem like some sort of adventure. Its just one of those things you just have to do to get out of your system. I’m a parent too, and I don’t advocate doing drugs to young kids. But if my kids ended up trying chemicals or something, the best thing you can do is communicate with them. Most parents did drugs at some point too so talk to your kid and pass on what you learned. The best and only thing you can do is talk to them.”

“Skaters are just tough motherfuckers to begin with. I think they just subject themselves to things almost as guinea pigs. It’s the ‘fuck it’ mentality. They’ll try anything. Overall, there were a lot of funny stories and good times that involved drugs but at the same time there was also somewhat of a negative shadow that got cast over it later. Too many of those dudes ended up wasting their lives chasing the dragon, trying to score another gram of coke, or just wound up dead. I think eventually, you know, all that shit just gets tired.”

 

Tony in Dogtown and the Z-Boys ('01)

 

Monday
Aug052013

Skaters and Drugs Outtakes: Gino Iannucci plus '02 Divulge Interview

Still from Skaters and Drugs in '03, here's Gino's extras, short and sweet. I also scanned this '02 Gino Divulge for the Editorial section so pasting the raw text from that here too. Make it a Gino Monday. Portrait and nollie 180 sequence: Reda, 360 ollie sequence: O'Meally —ME

GINO IANNUCCI:

“It seems far more publicized in skating. Skateboarding is more about doing your own thing. It’s kind of on you. There aren’t going to be drug tests or anything.”

“When you’re young, it’s like more normal to be around experimentation and those situations. As you get older, it get’s a little less common. I think using drugs later on is where it gets more dangerous—when it’s not experimentation anymore.”

“Skateboarding might get your kid around some sketchy situations. But that’s what life is about. If you raise your kid right, you know they’re going to make the right decisions. Skateboarding takes a kid out of that shelter. Some day, whether you like it or not, that’s going to happen regardless. Making mistakes later on can be a lot more costly.”

“I’ve seen firsthand pro skaters that skate better zooted.”

Here's the Divulge text:

Cult Classic

Gino Iannucci reflects on a bigger pond, corporate crossover, and the road from 101

Words Mackenzie Eisenhour

Progression always arrives in waves. A group of individuals, feeding off a common catalyst, spearhead the evolution of skateboarding and stretch it to include their own definition of the pastime. It happened in the ‘70’s with the Z-Boys, it happened in the ‘80’s with the Bones Brigade, and back in the mid-90’s, it happened with a group of World affiliates including, Blind, Plan B, and 101 teamriders. At the crest of the mid-90’s wave, Gino Ianucci brought speed, finesse, style, and creativity to what could have been one of the more awkward phases skateboarding has endured. While much of the emphasis at the time was on a heightened level of difficulty, Gino managed to safeguard skateboarding’s fluidity and ensure that progress need not sacrifice style. As the mid-90’s swell berths new tides, the shoreline is changing. Big money, bigger companies, and adult life all add up to the ultimate test of any progressive movement—the test of time.

What has been the biggest change in professional skateboarding since ’96?
It’s definitely more of a job now. Not that that makes it better or worse. There’s definitely a lot more money in it now then there was in ‘96. I mean nowadays you see pros doing ads with Bentleys, Lamborghinis, diamonds, and foxes. To me that shit’s just whattev’s. I kind of miss the days when skating was hated on—a little more underground. Skaters used to be like these hoodlum outlaws. That’s really what we traded for what it is now.

What would you have said two years ago if somebody told you you were getting a shoe for Nike?
Two years ago, it would definitely have been unbelievable. Just picturing my shoe sitting next to Jordan’s up in the store or something. The way skateboarding is right now it doesn’t even seem that crazy. It’s so big; it’s almost understandable now.

How was it filming the commercial?
Pretty strange for sure. Like 20 people standing around, huge camera units, and this closed off double-set. They had like a full permit and all that. This guy was standing right next to me and he’d yell action for every try.

Did they understand that it was switch?
I doubt it. I tried to explain that it was like a 180 going backwards but I don’t think they got it. I kind of had to just tell them, “Look, just trust me, its going to look cool, it’ll work for the commercial”.

Was it their idea to run all the slams?
Actually, I made the trick second try and they wanted to shoot more so I kept trying. After I made it once, I just couldn’t get another one to go. When I was leaving the set the guy was like, “I think we really caught something there. We’re going to use more of you falling and not so much of you landing it.” At the time I was kind of pissed off but when I saw the finished one it actually came out good.

What goes on inside the Nike headquarters in Oregon?
You always kind of wonder what their headquarters are going to look like. I mean you know how big the company is. I’m used to going down to the skate companies and the product is like right there stacked up. At Nike it’s like this whole college campus with nothing but offices. You don’t see any of the shoes around the offices. It’s just this whole community with this nice landscaping and all that.

How did the backside heelflip over the gonz gap happen?
That was the first time I was in San Francisco. We were actually about to fly home in a couple hours, and we went to skate EMB to kill time. Nobody was really skating that day. It was me, Keenan, Keith Hufnagel, and I think Jamie Thomas was there. Gabe Morford was shooting photos. I went up and looked at it and just got psyched to try something over it. At the time I was running backside heelflips every which way so that’s what I tried and it worked out. That and the switch flip down the Hubba stairs that same day were pretty much the first coverage I ever got.

What was the best trick you ever witnessed at the old World park?
I got on 101 after a lot of the real crazy stuff had already gone down. I do remember Keenan doing a fakie pop shove-it to fakie 5-0 frontside halfcab out on the ledge. At the time that was pretty amazing. The footage got lost.

What’s up with your skateshop?
I was looking for something to do out here and I had a friend who owned a tattoo parlor. The basement was empty and he had another friend who wanted to open a shop so we all got together and went in on it. It should be done by the beginning of May. It’s called Poets, from Poet’s Corner which was around were I grew up.

Rundown your September 11, ’01 day.
I was in my car when I first heard about it on the radio. I was down in Long Island and all these cop cars were just flying by. I finally got home and just watched the whole thing on television. I pretty much hung out at my house and watched it up until today. Personally I’m over the coverage of it. The whole fireman, FDNY thing has gotten to the point where it’s being exploited. Out here, they’re putting up memorials left and right. Every train station and street corner has a golden statue of a fireman holding a baby or something. It’s cool, but overkill is overkill. It just cheapens the initial reaction. They should have ended it with the special Robert De Niro hosted and just move on.

What do you think they should do with the spot where the buildings were?
I actually liked the light idea, but then when they finished it it just looked like shit. I think they just need to move on. Build something and keep moving. Build a vert ramp or a skatepark there.

If you only had three tricks, what would they be?
360 ollies, switch backside 180’s, and nollie heelflips.

What does going fast do for your skateboarding?
To me, that just feels like the right way to do it. I’ve had people tell me before like, “Maybe you should go a little slower.” but I couldn’t really mess around with going slow. Just flying into a ledge or something and coming out with speed, that just makes the whole trick complete.

What kind of mark did Keenan leave on NYC skateboarding and life in general?
His mark, and really what he left everybody who knew him was his personality. Everybody knows that just being around him was enjoyable. His personality came through in his skating. Just watching him skate was enjoyable, he looked so unique on a board and chose unique tricks to do. Keenan never stressed being pro or any of that. He didn’t want to skate everyday. But when he did, he f---ed it up, because he was psyched to skate. He never looked at it like a job.

 

 

Wednesday
Jul242013

Skaters and Drugs Outtakes: Brian Anderson

I'm just going to keep rifling these off. Here's BA. Again from Skateboarder in '03 and this. Shots out to 3D Skateboards. Photo: Templeton. —ME

BRIAN ANDERSON:

“I kind of hate to say it but if you’re a skateboarder, there’s a good chance that you’ll be hanging out in an area where drugs are available. It kind of depends on where you live.  But, there are positive sides to that as well as negative. On one hand its good for your kids to be exposed to real life and the real world because once they see how it works they’re usually going to be less tempted to rebel. On the other hand, depending on the your child’s personality, exposure to even something minor could trigger an addictive personality and make that child do downhill. It really depends on the individual. But as a parent, you should be able to read your child and keep that from happening.”

“They’re talking about alcohol. I mean its something that everybody in our society knows about. I can understand that. I mean, that’s their thing. That’s who those guys are. If those guys are willing to portray themselves with that image, hey, they have every right to do that. If somebody else wants to have a skateboard company that’s against doing drugs, they can do that too. To each his own—within reason. I mean there shouldn’t be like an ad in magazine with someone shooting up.”

“The most important parts of skateboarding that need to stay alive are really at the actual skatespots. It’s not so important if magazines and video are showing this or that so long as people are still able to do enjoy their atmosphere the way they always have at the spots. No matter how clean skating gets I think you’ll still be able to go out to a pool or a ditch and see guys having a beer or smoking a joint. And there are kiddy spots and more adult spots. I don’t think you’ll be rolling into the Vans Park with a joint in your mouth.”

“I’m happy with the experimenting that I did. I was always surrounded by friends, be it a sister or good friends that told me, ‘If you’re going to do acid, you know, be careful, go out in the woods and drink plenty of water.’ I mean you don’t just go out, buy a hit of ecstasy, swallow it, and go out to eat dinner with your parents. There’s just a time and a place for things like that.”

"I’d like say that I have no regrets. I’ve probably taken more acid then one individual should take. But I was always constructive. That’s how my friends where. It wasn’t like a Beavis and Butthead episode. It was like something creative to do at that time and we all eventually grew out of it.”

“When and if I have children, I’ll tell them when their like twelve years old, ‘If you’re going to experiment with sex or drugs, don’t be afraid to ask about it. I’d rather you to do it at home. I’ll leave you alone. But just be careful.’ because kids are going to do it anyways. That’s the only reason I’m talking about this. I don’t usually like to share my life in a magazine but drugs are an important topic. Kids just need to know, drugs can be interesting but they’re also not for everybody, and if you’re not responsible, they can get crazy.”